“There is now a vast amount of artistic production that is temporal, discursive and post-object centered,” writes John Roberts in Revolutionary Time and the Avant-Garde. And this immaterial work is “identified explicitly with a whole range of non-artistic skills and activities (scientist, ethnographer, anthropologist archivist, teacher, engineer, activist).” If we agree with Roberts’s assertion that the avant-garde is moving toward practices that don’t look much like art, then poets are uniquely positioned to participate. If avant-garde artists are trying to dematerialize their work, then poets have already done it. If the avant-garde artists want to disseminate their work freely or cheaply and outside the gallery system, poets have been doing this with self-publishing and small presses for a very long time.